NEW YORK, NY - Firebrand Theory Theater Company has created a live performance of the 19th century classic novel VENUS IN FURS, by Leopold von Sacher-Masoch, once banned for its super-sensual scenarios of female domination of the male. VENUS IN FURS premieres at the experimental theater catalyst, Collective Unconscious from September 30 - October 16.

While the century long debate continues whether this novel is pornographic or poetic, pro-feminism or chauvinist, it is credited as the origin of the term masochism - the 'M' in S & M. "Everyone pretty much knows the 'S' comes from the Marquis de Sade, but VENUS IN FURS is the little-known 'M' that explores the human need for primal connection and release," states director Michael Scott-Price. "The stage is the perfect medium to see up close what happens when one person follows his human urge and darkest fantasies to the end." This classic novel has inspired an entire alternative culture, countless films, and the rock group, Velvet Underground, proving its impact.

Firebrand Theory's VENUS IN FURS is a story of a wealthy dilettante who has everything and does nothing, yet falls in love with a woman who gives him the courage to confess his deepest urges. She reluctantly accepts to role-play his long-buried super-sensual desires, and purchases a whip. They are both transformed by this, and the ingredients for their love become the ingredients for their hate. At its core, VENUS IN FURS is the bizarre love story of the world's first willing sex slave.

Firebrand Theory Theater Company has been called "always impassioned and always authentic" by the Irish Times. The company has produced in various cities throughout the U.S. and abroad, including: Dublin, Winnipeg, and Minneapolis, in addition to its New York City home seasons.

Collective: Unconscious supports the emerging arts community of New York City in several practical ways: (1) by providing an administrative and technical resource center for artistic development, management and action; (2) by helping artists to promote their work; and (3) by providing a low cost venue for rehearsals and performances.

This ongoing renovations and improvements at Collective: Unconscious are made possible, in part, by the Alliance for Downtown New York and by Lower Manhattan Cultural Council, with support from The September 11th Fund; the Department of Cultural Affairs; Councilman Alan Gerson; the Collective: Unconscious board of directors and many individuals.